You wouldn’t believe me if I told you, but the human being pictured to the side is the offspring of glam-rock starman David Bowie. No, his name isn’t Ziggy Stardust (though I wouldn’t put it past a fantastical celebrity to indulge in obscure nomenclature for his children.)
He is Duncan Jones, the up-and-coming filmmaker best known for directing last summer’s critically acclaimed “Moon,” a sharp and imaginative sci-fi film that so keenly fleshed out dramatic suspense with one single character stationed on the moon (played by the always perfect Sam Rockwell). “Moon” was an impressive testament to Jones’ cinematic eye, featuring both his directorial and screenwriting acumen. Upon seeing the picture, I was fully convinced that Jones had found his niche in the sci-fi genre, having powerfully captured the awe-inspiring/maddening desolation of space that his father once sang about.
Well, I was half-right. Duncan Jones will flex his sci-fi muscle once again in his new project “Source Code;” however, the infinite aura of space is being replaced with the mental frenzy of time travel.
Let me explain. “Source Code” centers in on a soldier named Colter, who wakes up on a commuter train bound for Penn Station having no idea how he got there. He soon realizes that he is inhabiting the body of a man named Sean Fentress, but has no time to investigate because the train soon explodes into smithereens from a bomb set in place by terrorists. The end.
Relax, I’m kidding (about the movie ending there, that is). Colter wakes up again in the same moment in which he originally found himself, seventeen minutes in the past, given the opportunity to prevent this tragedy from taking place again. With each reawakening, Colter explores the characters and surroundings of the train that may shed some light on the devastation.
The fictional group fronted by the former frontman of Blur, Gorillaz, drops their new album Plastic Beach next Tuesday. 